Dear Toni

I broke down in class last week when I was reading out this piece by a student. I haven’t wept in class before. I have caught myself just short of breaking down (sometimes unsuccessfully) while saying goodbye to students in the last class. But never like this, never in the middle of reading a piece. Maybe I wouldn’t have broken down if the piece wasn’t written by a student. Maybe I wouldn’t have broken down if she had never sat in my classes, if I had never watched her write, if I didn’t know what she was talking about. But I did, and I do. I am making excuses after all. I have always cried after reading her, sometimes privately, and now I can say publicly as well. She wrote things that aren’t easy to write. I cried because she was walking around with everything she hadn’t written until she wrote that piece, I cried because I don’t know what else she is still carrying.

I could have stopped reading, told the students to read it on their own, switched my camera off and composed myself. But I kept going, I don’t know why. I think she made me keep going. And I pray she keeps me going.

I once cried at Meta when a girl student had yelled at me under the banyan tree in college. I didn’t know what to do. But I just kept thinking, if I were a man, or a tall & pretty Savarna teacher with perfect teeth, sharp nose, and bright wide eyes, I wouldn’t be crying under the banyan tree. Maybe I would, I don’t know – but it’s unfair – this desire to know what it would’ve been like if I was Savarna. After all, how often does a Savarna teacher spend time thinking about what it’s like to be a Dalit teacher?

And also – I don’t like feeling that way. Because I know that if I were Savarna, I wouldn’t have been able to read Beloved the way I did and let it live inside me like it now does. There is a reason you write the way you do and when I’d finished reading Beloved, I felt closer to you in a way I wouldn’t have been able to feel if I were Savarna.

I don’t know if I’d have not cried if it were a boy yelling at me, not a girl. Because boys and their words have a way of hiding behind my teeth and making me angry and sour, never sad. The girl returned after months with two roses and an apology. I smiled and accepted all three. Then I wondered if I shouldn’t have, then I was happy that I had. Will I ever reach a stage where I’ll be confident about the choices I’ve made? Will I ever know what to do immediately? Will I ever have it in me to not cry, not be angry? But why should I not cry? What will I do with all that strength it takes to not cry? Where in my body will I keep so much strength? So much self-respect? So much control? I don’t have that much space in my body for that kind of control.

***

I have been waking up early, not to write oh but how I wish I could. I have been waking up early to look at the sky and think of you. I had read that you woke at 4 to make coffee and watch the light come. It’s how you knew that you were ready to write each day. That you didn’t have to be in the light, you had to be there before the light with coffee to know you were ready to write. I loved the sound of that so much that I have been waking early to watch the sun come up, to look at the way it touches the tree outside my door, and to think of you. Thinking of you makes me want to get ready to write.

I don’t know how it’s possible but your belief in storytelling, in the stories your parents told you, about themselves, and the world is how I see mine. I think it’s not easy for Savarna people to understand this or to even take this seriously. And I am learning to live with that. Because their inability to see love and stories makes me never want to give up on myself.

Today, I woke at 4:30 from a dream I wanted to urgently return to so I went back to finish it (Possessed teddy bear-owl with flapping, beating wings is going nuts in my room. Doesn’t leave me alone so I dump it in the trash outside. It becomes a baby and sits on the windowsill cackling at me before jumping to its death and returning again to my bedroom to haunt me. Basically this is Clifford Geertz + Mixer Week + Google Meet+ Online classes)

And when I woke up again, it was 5:59 and I felt like the day was already over, that I was too late. Then I really woke up, told myself to fuck off and begin the day (take trash out, bring milk, put it to boil, put bread in the oven, boil water, make coffee)

After that crying episode, I was afraid the students wouldn’t take my classes seriously anymore. That because of this ’emotional’ outburst, I have shown them that my intellectual relationship with the subject at hand (Resisting caste) has been compromised.

But then I thought, wtf – a teacher moved to tears because of something her student has written is nothing to be ashamed of. If there are teachers who have cried teaching Shakespeare, then A. Suresh is no less than Shakespeare. But it will be used against me, I know that. Someday, when I am least expecting it, it is going to come back and bite me.

So yes, bite me.

“I am not interested in happiness. Not yours, nor mine nor anybody’s. I don’t think we can afford it anymore. I don’t think it delivers the goods. Most important, it gets in the way of everything worth doing. Happiness has become a bankrupt idea, the vocabulary of which is frightening: money, things, protection, control, speed, and more. I’d like to substitute something else for its search. Something urgent, something neither the world nor you can continue without. I assume you have been trained to think- to have an intelligent encounter with problem-solving. It’s certainly what you will be expected to do. But I want to talk about the step before that. The preamble to problem-solving. I want to talk about the activity you were always warned against as being wasteful, impractical, hopeless. I want to talk about dreaming. Not the activity of the sleeping brain, but rather the activity of a wakened, alert one. Not idle wishful speculation, but engaged, directed daytime vision. Entrance into another’s space, someone else’s situation, sphere. By dreaming, the self permits intimacy with the Other without the risk of being the Other. And this intimacy that comes from pointed imagining should precede our decision-making, our cause-mongering, our action. We are in a mess, you know; we have to get out, and only the archaic definition of the word “dreaming” will save us: “to envision; a series of images of unusual vividness, clarity, order, and significance.”

~Toni Morrison~

When I read this from your Sarah Lawrence Commencement Address, I had a warm desire to hear you and Babasaheb talk to each other. I grew hungry to have you both in my belly, walk into a classroom and roar, walk to my table and write my heart out.

Someday, it will happen. I can feel it gathering in my fingertips.

Image credits: Speakola

Featured image credits: nytimes.com

Not going to stop

The distress about Dalits being able to access reservation and social capital is somewhat similar in that it upholds the argument that Dalits have unfairly and insincerely used something in their favour to promote themselves. You are saying that their achievements (however little or nonexistent) are always the result of somebody else’s hard work, friendship, and favour; that they have had to do no work to access the privileges they appear to be enjoying; that their work had nothing to do with their “capital” – social or otherwise. The erasure of work and merit from a Dalit person’s journey is violent.

***

Detour: While I still haven’t learnt how to take a moment to pause when my work is attacked, I am only now coming to the idea that I need to recognize it for what it truly is – a distraction. Meaning, it doesn’t merit more than one nod, two sighs, three teas and then – back to work.

But I feel compelled to protect my work because I don’t know who else is going to do it for me. I don’t see why people should take the effort to slip out of their day into mine only to vent bitterness. What instinct can cause people to lose themselves so uncontrollably to hate? And why am I expected to rise above and not make it about myself when my work is being questioned? I’m sure people will stop saying ‘You are not your work’ if they had any idea about how caste functions.

I spent the last three days responding to hate with anger. I was distracted. I couldn’t read or write without looking back, without feeling that someone was attacking something valuable and that I had to be there to protect it, not here – reading. I longed to go back to the week before where I’d settled into a routine of reading, listening to podcasts, and watering plants. Thankfully, after days of restlessness and the inability to read, I arrived at Toni Morrison’s words and now feel purged.

Toni Morrison said, “The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn’t shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of this is necessary. There will always be one more thing.”

I’m partly charmed by how easily this is also about caste. An attack on your work is a summon. It keeps you from working. That is its purpose – to stop you from doing what you really want to do. That is also the function of caste. It demands your full attention. It’s a trap. The more distracted you are, the longer they can keep you from working. Reading these words was like rubbing salt into the wounds of time wasted.

In an interview about writing Beloved, Toni Morrison was asked if she became as angry writing it as the reader was when they were reading it. “Is it possible for you to have written Beloved dispassionately?”

She says – “I couldn’t write it in anger. It is a paralyzing emotion. You can’t get anything done. People sort of think it’s an interesting, passionate, igniting feeling. I don’t think it’s any of that. It’s helpless. It is absence of control. And I need all of my skills, all of the control, all of my powers, and clarity in order to write. Anger doesn’t provide any of that. I have no use for it whatsoever. I could be melancholy and I could be full of regret. But anger is useful to the people who watch it. It’s not useful to me”

When the interviewer misinterprets it to mean aloofness, she is quick yet patient to correct him – “Not aloofness. I am not aloof and unfeeling. I am an artist. It’s about putting those things in a different cauldron. My compassion could be just as harmful, my love, my fervor too. But to write a book, I must be penetrating and roving. After all, art is but the restoration of order”

I feel saved by these words today and I wish I remember to be saved by them every other day.

In memory of those who stood for a long time holding cow dung in their hands, and those who earnestly and diligently continue to do so – I am celebrating my blog. It is my version of the ‘extra saree’. This is my capital. I learnt how to write here. Keep throwing. I’ll keep writing. Not going to stop even if you stop throwing ❤️

It might also do me some good to remember that summer of 2018 when I was reading whatever I could find by Elif Batuman, and bothering those around me with questions on freedom, work, & love. Something about how women manage to find & keep joy in life.

A writer I really admire had told me this:

“I never ever feel the whole world is attacking me. I have no engagement with the whole world. I am very very interested in the opinions and judgements of a small group of people and even there much much much less than I did in my 20s. I don’t believe the whole world is interested in me either”

I was reminded of this today and want to print it out and keep it on me at all times. It makes me zoom out of myself for a bit and look at everything from a distance, always a relief since it’s so difficult to zoom out when anger takes over.

You can listen to Morrison’s interview here.

Franny & Toni

Spent all of last week scrounging through everything Fran Lebowitz wrote and spoke. Read Beloved and came to discover Toni Morrison as a lot closer to me than I’d anticipated. My body is filled with her words and I’m letting them sleep inside as long as I can hold them there. But the better discovery was the close friendship between Fran and Toni. I am feeling an envy that is both happy and relieved. I’m excited to learn the things they said about each other.

Watching Fran is one kind of thrill. Reading Toni and realizing that my best writing years are yet to happen is another kind. Fran arrived in New York, much like Didion did. To write. To learn to write. Fran was barely 17. I want to go too. Discovering these women has made my resolve to see New York stronger. And so much that I don’t give a fuck about wanting to be special. I want to be as hopeful and as plain and as ordinary as those women were before they became famous. I want to see the city and feel the echo of their words in my eyes.

Stitcher is a gift. Here are some fab interviews that I loved by Etgar Keret, Claudia Rankine and Fran Lebowitz.

Keret narrates a funny incident involving his mother who, proud that her son had become a famous writer, made sure to ‘split’ her vegetable shopping just so she could return to the green grocer and say ‘you know my son’s story was published in the New Yorker’ while buying carrots – and then again — ‘you know he teaches in this great American University’ while buying cucumbers.

He says some really interesting things about fiction, something that I am getting more and more terrified of writing.

Claudia Rankine takes me back to my time at Seattle, and that evening we watched ‘Citizen’ performed powerfully on stage. So powerful that for the rest of the evening, I saw nothing but guilt and fear in the eyes of that one severely racist colleague.

I’m itching to write about it even as I gaze lovingly at the other three writing deadlines. Even so, I read this Paris Review Interview of Fran last night and went to bed happy and songful. She’s making me return to reading furiously. She says in an interview “If you want to learn how to write, and your parents are willing to pay obnoxious money to put you through a writing school, take that money, buy lots of books and read. It’s the only way to learn how to write”

In this interview, she says “But really, I read in order not to be in life. Reading is better than life. Without reading, you’re stuck with life”

Gahhhhh.