So I wanted to watch this film in at least 6 different theatres and write about the audience reactions – because there were so many and so varied. I couldn’t afford it but I wrote something. Tell me what you think.
It is odd that people lay claims to specific ways of being feminist as if there are clear–cut designs to patriarchy that make us open the manual and go, ‘this is right way to respond to that’, ‘we must go to Town Hall and protest this; otherwise we are not being political enough.’
Aren’t there little pockets of silent, clichéd rebellion that our mothers and sometimes even we wage every day? The quieter yet steady rebellion that made my mother go to her favourite tailor to get measurements done – even after my father had made a big fuss about a man making such measurements. She even went ahead and got him a suit stitched from the same tailor.
Before I left to Goa, I was in a bit of a lull. I couldn’t write nor read. I was exhausted by the endless inspiration consumed from watching YouTube interviews of my favourite women. I needed newer, more productive ways of stalking them. So I tweeted to Carmen Maria Machado (haw) and asked her if she’d mind answering some questions about writing. She replied immediately – said she wouldn’t mind. After I recovered from jumping up and down 400 times, I sat down and messaged all the students I know who loved her writing. They sent in questions and I put them together and mailed it over to her.
And then I was quite kicked, I wrote about Ferrante, went to Goa and felt more powerful than I have in years, got back and felt like a queen. I forgot all about the mail sometime during the trip because it suddenly hit me that she’s getting married. But then yesterday, I saw that she had replied. My day immediately took off and I haven’t stopped smiling since 🙂
This is my favourite bit from the interview:
Do you sometimes find it hard to continue after you’ve heard something unpleasant about your writing? How do you deal with it?
I used to, but I don’t anymore. Eventually you learn to let that stuff roll off you. You just have to remember that you don’t–and you can’t–write for everyone. Some people won’t like your work, and that’s fine. Write for yourself.
Finally, finally, finally. Sat down and wrote about reading Elena Ferrante. This is my first piece for The Open Dosa and I’m thrilled that it’s about Ferrante. My students and I were just dying to talk about her at Meta this year. The following picture is from the day of the panel.
This is my favourite picture from Meta. These girls and I have bonded over many other things – struggling with writing, reading, life, classes, clothes, and shoes. Now that we have Ferrante in common, these peeps will always be a part of me.