I have been obsessed with the Cielo drive murders. It began one ordinary morning three days ago, when I was minding my own business by not paying any attention to deadlines. I was watching Didion again with my breakfast and we got to the point where she describes sitting in the pool when news of The Manson murders reached her.
The 60s ended for her with these murders, she says. And for the first time in the many times I’ve watched the documentary, I felt compelled to dig into the murders. The thing with culture, contrary to what I believed all this while is that it is sometimes as alien to the person in it, as it is to someone outside. That was the point of ‘the center will not hold’
Why and how – what kind of dark instinct could cause someone to drive to a celebrity’s house and murder a pregnant woman and her friends? But it didn’t occur to me that everyone who heard it in 1969 found it just as confusing as I did in 2020 hearing about it in my Bgudi home.
When I first watched it, many things about the documentary didn’t make sense to me. And I assumed someone who was born and brought up in America might find it easier to understand. Three days ago, I realised that even Didion wasn’t clear about what the hell was going on. Of the many things that I found puzzling was why strangers lived with one another in big mansions at Hollywood. Firstly, I thought only film stars lived there. Secondly, wasn’t it weird for married people with a child to have loud musicians over at their house all the time? And just what in the world did Didion mean when she said they had no idea who was sleeping at their house of 28 bedrooms?
Turns out she was just as lost as I am about the whole thing. She was just moving with things and when they got unbearable (drugs on her child’s bedroom floor) – she wanted normalcy, silence, order.
I can’t believe there’s the slightest chance that I might have driven past the Cielo Drive last year at L.A. I am wildly mad at myself for not having been in the mind space to absorb the city as deep as I know I have the capacity to.
Like one waste body, I was thinking constantly of internal group politics. Gahhhhh. Why does it always happen that I don’t know how to make friends and if I do, I don’t know how to keep them, and if I can’t, I don’t know how to still have the time of my fucking life? I want too much. I still think it would have been perfect to have found my soul mate in LA with whom I could’ve walked its slopy streets, drank its orange sun with some tall drinks, and talked endlessly about women and writing and stories and love.
I spent the last two days watching one film after another on the Manson murders, watched Once Upon a Time in Hollywood which I found funny and very well-done. Everything from the loud, wet plop that I came to look forward to with delightful anticipation every time Brad Pitt emptied the can of dog food onto a plate — to the conversation DiCaprio has with the intimidating little girl who tells him ‘And if I can be a tiny bit better, I want to be’ which became my motto for the night — I loved.
I can never understand what the fuck people mean when they say things like ‘didn’t reach expectations’ or ‘overrated’ or ‘hyped’ – Why do you think it’s about you? And why the insistence to measure everything watched, heard, and read in a system of numbers and ratings? Doesn’t your body watch the film along with you? Even in the most dabba film in the history of the world, you can’t find a scene that reached out to you, and held your attention?
When you say something is ‘so overhyped, it scares you to watch/read it’ – you are saying that you value other people’s judgements over yours and your body’s so much – that you don’t think you can muster the capacity to allow room for art to stand on its own with you.
When did we become bigger than art? Who are these important people who can make room for the hype to reach them but not the films and books? Pah. Self-importance is yet another prized Savarna possession. The Avarna relationship to art on the other hand is far more reliable. It’s you – your body – your eyes- and whatever it is you are breathing in. That is all. In the arms of an Avarna romantic, hype dies, math dies, and so does the English-medium love for logic and neatness.
This doesn’t mean you force yourself to feel and love everything you watch and read (although I don’t see the problem with that). No no. It means you believe in the capacity of even the most badly done film or play or book to have its moments. Didion said it best – “Let me lay it on the line: I like movies, and approach them with a tolerance so fond that it will possibly strike you as simple-minded. To engage my glazed attention a movie need be no classic of its kind, need be neither L’Avventura or Red River, neither Casablanca nor Citizen Kane; I ask only that it have its moments.”
Spent the day reading and dreaming about Dawn Powell. Her diary entries are just thrilling as her short stories. And I am feeling delicious feelings in my stomach about stalking yet another writer and eating her words inside out.
Read a few bits from Didion’s The White Album and am in awe of how her mind is what I am actually reading when I am reading her – every jump, map, note, flutter is readily available. How it would be to own her mind! Reminds me of a Borges short story called ‘Shakespeare’s Memory’ in which various people come to own Shakespeare’s memory in the hope of being able to write like him, they can’t and keep looking for ways to get rid of it. Lol.
Jamaica Kincaid is yet another writer giving me butterflies. This story called Figures in the distance blew me away. A young girl is obsessed with death and tells the story of each dead body she hears and dreams about. Her mother’s hands catch dying people all the time and the girl grows more and more curious.
Storytelling becomes so much more intimate when a woman reads out another woman’s story, and a woman watering plants, and adjusting the phone tucked into her waist, listens to it and believes that it’s all she wants to do for the rest of her life.
Spent all of last week scrounging through everything Fran Lebowitz wrote and spoke. Read Beloved and came to discover Toni Morrison as a lot closer to me than I’d anticipated. My body is filled with her words and I’m letting them sleep inside as long as I can hold them there. But the better discovery was the close friendship between Fran and Toni. I am feeling an envy that is both happy and relieved. I’m excited to learn the things they said about each other.
Watching Fran is one kind of thrill. Reading Toni and realizing that my best writing years are yet to happen is another kind. Fran arrived in New York, much like Didion did. To write. To learn to write. Fran was barely 17. I want to go too. Discovering these women has made my resolve to see New York stronger. And so much that I don’t give a fuck about wanting to be special. I want to be as hopeful and as plain and as ordinary as those women were before they became famous. I want to see the city and feel the echo of their words in my eyes.
Keret narrates a funny incident involving his mother who, proud that her son had become a famous writer, made sure to ‘split’ her vegetable shopping just so she could return to the green grocer and say ‘you know my son’s story was published in the New Yorker’ while buying carrots – and then again — ‘you know he teaches in this great American University’ while buying cucumbers.
He says some really interesting things about fiction, something that I am getting more and more terrified of writing.
Claudia Rankine takes me back to my time at Seattle, and that evening we watched ‘Citizen’ performed powerfully on stage. So powerful that for the rest of the evening, I saw nothing but guilt and fear in the eyes of that one severely racist colleague.
I’m itching to write about it even as I gaze lovingly at the other three writing deadlines. Even so, I read this Paris Review Interview of Fran last night and went to bed happy and songful. She’s making me return to reading furiously. She says in an interview “If you want to learn how to write, and your parents are willing to pay obnoxious money to put you through a writing school, take that money, buy lots of books and read. It’s the only way to learn how to write”
I mentioned Joan Didion for the first time in Seattle today. I must have said her name in my mind plenty of times but for the first time today, in Seattle (I cannot say this enough) I said her name out loud to my roommate.
My roommate is from Lebanon. Her name is Maha. She took a blue post it from her purse and wrote Joan Didion’s name down in small letters:
and I felt the quiet smile I always feel when I see Didion’s name in print.
At the visa interview in Chennai, when the white man behind the glass door had asked me what my SOP was about, I had said Joan Didion. And when he asked me who she was, I had felt incredibly stupid saying ‘She is an American writer’
Maha and I were saying how excited we are that they are going to take us on a study tour to Washington DC at the end of this month. I told her, ‘It’d would be tragic to be so close to New York and still not see it’
Ah! New York! You want to see because of Friends?
Yaaa, I said and then with a calm that took even me by surprise I said, ‘Because of Joan Didion’
It will always be Joan Didion’s New York for me now. In the way that it will always be Parodevi’s Bombay, and Adichie’s Nigeria. Cities are built to keep women away. Women may never belong to a city in the way that men do but cities always only belong to women.
Esra, who is from Turkey and now a student here like me, said that Orhan Pamuk is a psycho and we both giggled like children. She said – “Back home we don’t like his writing in Turkish very much. If we want to make fun of someone, we say you are talking like Pamuk writes”
Then she told me that he once put his phone on the balcony and took pictures of the city. “Same time each day and he saw different things it seems – such a crazy that man”
And now it is Esra’s Turkey. Like it is Elif Batuman’s Turkey (but it will never be Pamuk’s)
Here I must add because after years of not knowing, and then knowing, I am not going to suddenly unknow who I am – How do Dalit men and women figure here? Can cities ever belong to us? I don’t know. Maybe other cities can belong to us – perhaps even more than ours ever will. Then again – not all of us can afford to walk into strange, new cities and make them ours. But because of some odd luck that I am here now – I want to try.
Seattle is empty without my Basavanagudi cows and their dung, without the trees and their rains. But it is still mine. Today I woke at 5:30 and made it mine. I made it mine as I made hot water and drank it from a red mug. I made it mine as I walked on the same street up and down, effortlessly avoiding Starbucks. I made it mine when I was so distracted by the houses, I missed a turn. I made it mine when I saw a huge Ferrari showroom, said bah, and took a picture. I made it mine when I walked into Ba Bar last night and ordered Garlic Crab Noodles with a glass of wine.
I sat by the bar eating my food, drinking my drink and watched as the young bartender in front of me (grey dress with a slit down the side) climbed up the ladder in her black Nike shoes, and gently picked a bottle of scotch. I watched as she smoothly came down, her right hand clutching the bottle, her left holding-not holding the ladder.
This city is hers more than mine. But because she is now locked forever in a moment that I am writing about and because the next time I eat crab noodles, I’ll be in Bangalore, I will think about how she brought the bottle of scotch down and just like that – the city will be mine again. I sat today and put all my things in this city, so it is not empty anymore. That’s why I am sitting here writing this at 3 in the morning. It could be jet lag also, but lol.
My foot is now breathing in a tub of hot water. Barely two weeks ago, I was lying in bed, my foot hoisted up on pillows – the left leg waiting to erupt from layers of dead skin – all chafed and dry. I was almost sad to see the plaster go. I’d begun to enjoy peeling bits of skin from wherever my hands could reach. They’d gather in heaps of smiling flakes as I grew hungrier for more.
Amma changed the sheets and pillow covers once a week – on the day she’d give me a bath. The flakes would then scatter themselves across the room meaninglessly, like dust.
She insisted on giving me a bath twice a week but it was too much work so I convinced her that once a week was more than enough. I put shame and nakedness through various measurements and with every passing day, I began to fear it lesser and lesser. It began on the day of the fall – the very first day when Amma had to cut open the jeans I was wearing, which was anyway torn from below the knee to make room for the horrid white plaster.
There was no sense to the pause my body offered before taking my clothes off in front of her. She was quick to notice the scars on my body that’d faded over the years. One from the time I dumped hot chai point chai on my stomach, another from the time the hot parachute bottle melted from under my palms and burnt a good part of my thigh (don’t microwave parachute oil bottles)
As I chanted the history behind each scar, she shampooed my hair. And when she poured green hot water down my back, she looked more relieved than I was — scrubbing my back with all the energy she had – almost as if offering compensation for the loud dry zone which was my plastered foot, sitting smugly inside 2 dustbin bags.
In my mind, I observed that this was the closest she’d come to giving me the balanteero bath that they give to pregnant women. She has dreamed of giving me those baths even more than wanting grandchildren.
Days dissolved into watching reruns of women taking Karan Johar’s ass on his show and rewinding all the Eli Gold and Elizabeth Tascioni moments on The Good Wife. When I felt like writing and couldn’t, I sought Joan Didion.
I sped through The Year of Magical Thinking with an obsession to grow old like Didion. One December morning, her daughter was hospitalized. After spending a day in and out of the ICU – Didion and her husband returned home, unsure if they would see their daughter alive the next day. They sat down for dinner and her husband collapsed on the table with a heart attack, and died.
From that point on, my little fracture grief became laughably manageable. It was ok that I could only listen to the rain and not watch it. It made me wonder if I’d ever really listened to rain and not just watched it – which is not too different from a grunt acknowledgement. After all what is rain without its sound?
In the two months I spent at home, there were two evenings whose colors belonged in a painting. From my dining table, I watched the Bangalore sky glowing furiously and pleasantly – or somewhere between the two which – as I have come to realise – is something that only Bangalore sky is capable of (As D would say)
Its orange was pleasant, but its force was furious. It came in shocks of rectangle and threw itself on the table, lingering there for a while before slowly fading.
A friend mentioned Frida one day and I spent the entire day in bed feeling grateful. It’s the one film that I have watched over and over again in the last two months.
The plaster was still on when I was told to walk without support. I cringed. With every half step I took, I expected to hear the crunch of bones and iron. I am now a firm believer of right time. Sometimes it is just not the right time to watch certain films. It’s probably why I had never watched Kill Bill and now was the time to watch it. Moments after Kill Bill Vol: 2, I took my first step with no support and walked on feeling proud as fuck even as I was imagining the Kill Bill Ironside Siren Soundplaying somewhere.
Reading Cheryl Strayed and Rebecca Solnit made me think about walking a lot more intensely than that fucker Proust. And now I cannot wait to listen to the sound of my walk.
Those were my strong moments. In my most vulnerable moments, I thought about my astrologer aunt who had warned me about this accident months before I fell. She has predicted all my accidents so far. My resistance was weak and I was going to succumb to the haze of stars and shani, rahu and ketu and whatever when I suddenly remembered Jackie Chan.
This has been a week full of Magic. I’d like to show you some of this but I’m afraid you won’t like it very much. It’s heavy like a tall glass and salty like bloody Mary, and like both, it might tear the corners of your lips.
when i’d watched The Prestige long ago, i was only a girl in love, nothing but a girl in love. maybe some days it’s enough to be only a girl in love and nothing but a girl in love. Not today.
i watched the film again last Saturday, i watched it like a teacher. is a teacher not in love? yes she is: some days, every day, most days. Some days i fall in love like a healing wound – slowly at first, and then in big quick gulps. everyday i fall in love like shah rukh khan – kisi ke baal ache hai, kisi ke hont. On most days i fall in love like I have never fallen in love before – like magic, like disappearing rabbits, like orange color rain.
i watched the film like i was watching someone teach me something in a classroom. someone teaching me to perform. perform to teach. because teaching, like magic, is performance – it’s where i have to make something appear out of nothing.
“Every great magic trick consists of three parts or acts. The first part is called “The Pledge”. The magician shows you something ordinary: a deck of cards, a bird or a man. He shows you this object. Perhaps he asks you to inspect it to see if it is indeed real, unaltered, normal. But of course… it probably isn’t. The second act is called “The Turn”. The magician takes the ordinary something and makes it do something extraordinary. Now you’re looking for the secret… but you won’t find it, because of course you’re not really looking. You don’t really want to know. You want to be fooled. But you wouldn’t clap yet. Because making something disappear isn’t enough; you have to bring it back. That’s why every magic trick has a third act, the hardest part, the part we call “The Prestige”
teaching is getting them to see the magic that i have seen – in other people’s worlds, words, and works. some days this magic leaves me dizzy.
in the same way i was dizzy to discover the old Chinese man in The Prestige who sacrificed being able to walk properly to be able to perform magic. in the same way i was dizzy to read Pauline Kael who takes all her images and squeezes them inside out until words started appearing. in the same way i was dizzy when i discovered how endearingly Joan Didion wrote and taught the world how to make writing a part of your body – so much so that i now feel like all my words belong to her because she knows their weight more than I do.
when i am reading, i am sometimes confronted with a happiness that is far too big for me to hold. like Salvador’s hundred balloons of happiness, like the smile between Dhanush’s tragedy and Dhanush’s dance, like the smell of hot cardamom chai on my fingers, like the fullness of evenings in the department where we all sit and talk and laugh, like watching students be absorbed in their work, like i have the key to doors that open Macondo, Naples, New York, Bombay, and Mangalore.
it’s a gift. it’s a curse. it makes teaching exciting. it makes me tired when i’m unable to recreate the same magic for students in the classroom – what i know i have felt in the bones, between the folds in my body where hunger is a disappearing rabbit in a black hat.
Featured Image Credits: Key of Magic by Hartwig HKD via Flickr
I can recollect the last six years of my life only in semesters. No other measurement makes sense. The last time I did this, I was less obsessed with archiving. Even so, this still remains the only reliable way of dealing with the guilt of not writing about the books I read this semester.
The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary – Simon Winchester
I was teaching a paper on linguistics this year and began my semester with this book. Kindle often gives one the impression that the reading is going a lot quicker than it usually does. Even so, the reading was slow – all the note-making definitely helped – as did the time I took to marvel at each history lesson learned. I loved the book because it told me fascinating stories about people who channeled all their energy into pursuits that are barely acknowledged today.
The book is about the making of the Oxford English Dictionary. The history of how a bunch of men spent 2 decades and more to produce the world’s first dictionary. Samuel Johnson had actually done it long before them, as did many other people who put together one form of a dictionary or the other. The earliest known was a dictionary of the most difficult words.
I discovered Samuel Johnson’s passion and wrote this little post to show him some love.
2. Are You My Mother? – Alison Bechdel
I’d read Fun Home last year and still recall the line “If there was ever a bigger pansy than my father, it was Marcel Proust” with many giggles.
Bechdel is funny, mysterious, and obsessed with writing. Anyone who wants a little kick on their bums to get that push to start writing should read this. There are lovely panels featuring Bechdel at work – hands in her head, thinking, revising, editing, collecting material, typing even as she talks to her mother on the phone. Plus many many flashbacks. If there’s one thing I love about flashbacks, it’s watching them. If there’s one thing I love more – it’s reading them in graphic novels.
There is more Woolf in ‘Are You My Mother?’ than there is in ‘To the Lighthouse’. During my post-grad days, I tried reading To the Lighthouse and gave up because it went over my head. Not that I’ve suddenly become smart. But Bechdel took me to Woolf in a way that even the threat of failing M.A couldn’t. So easily, so kindly, so lovingly.
3. To the Lighthouse – Virginia Woolf
I’m convinced that Virginia Woolf wrote a better testimony to Feminism in ‘To the Lighthouse’ than in ‘A Room of One’s Own’. In TTL, Woolf warns us about all the Mr. Ramsays in the world. You and I know Mr. Ramsay very well. He is the man, who, when he walks into a room, any room – must have immediate attention. Otherwise he will throw tantrums. He has to know what you are doing, what you are thinking, otherwise he will die.
Reading this helped me deal with the Mr. Ramsays in my life.
4. The Murder Room – PD James
Took me several months to finish reading this one but perhaps that was a good thing. I will cherish Tally Clutton and her resolve to live alone. Wrote about this in March.
5. Poonachi – Perumal Murugan
I still worry that I didn’t say yes with my dignity intact when I was asked to be on a panel with Perumal Murugan and Kalyan Raman. My heart shrieked and made a fool of me.
I spent most of March being anxious. I worried because I didn’t know Tamil. I worried because English speaking worlds are all alike – they are always brutal to non-English speaking worlds. I worried because, in this equation, I was part of the English speaking world.
The panel was on Murugan’s Poonachi – a book that made me have feelings for goats.
A big part of the reading experience was compromised because of the panel. There was a sense of structure but for days I worried that I would just embarrass myself or worse, Murugan would hate me. I haven’t been able to write about the panel yet. When I can, I hope it can convey the pain and the love in my heart for Murugan.
6. The Goat Thief – Perumal Murugan
Devoured the stories slowly. Most stories have women doing fab things. My favorite had an angry housewife kicking the husband away from sitting in her favorite chair. She then carries the chair over to the kitchen with an enviable Jejamma style.
Another story had a woman who worries about a persistent smell in the house until eventually one day, she is swallowed by a commode.
But the most memorable story in the book is ‘shit’
Apparently, Murugan wanted to release a bunch of stories with the title Shit Stories but the publishers chickened out. Bastards.
‘Shit’ begins with a bunch of upper caste ‘progressive’ boys who go mad because of a stench in their house. Turns out the drainage pipe behind their house is broken so they call someone for help. The man who shows up, Dalit of course, goes down the septic tank and begins to unclog the shit. Murugan describes every step that the man does under the septic tank, while the reader is slowly taking in the boys’ disgust upon seeing this. After a while, like Manjule’s audience, you too begin to pat your cheek softly because Murugan has slapped it that loudly.
7. Broccoli and Other Tales of Food and Love – Lara Vapnyar
You only need to know that there are two old women named Luda and Milena in this book who made me laugh so much, that I cannot wait to be old and funny. I want to grow old with Namsies the way these two do.
Luda and Milena both compete for a man’s affections (boring, overdone, what else is new – ha, yes, but wait for it) They lure him with food even though they detest cooking. Every evening they break their heads over what to cook – all the while thinking sincerely about each other (not the man)
In the end, the man dies.
I’ll leave you with that.
8. Conversations With Friends – Sally Rooney
Here’s a book that made me wildly uncomfortable. It showed me the distance between me and how I’d like to write.
It showed me what to do with people who are meant to be characters in books that we always tell ourselves, we will write someday – one day.
In the book, I found the language for daily anxieties that friendships tend to bring, the pleasures that there are, in going over WhatsApp chats from years ago for no particular reason. How we devote entire afternoons lying on the bed, assessing relationships, friendships – looking for proof that really- they don’t love us. In fact, they never liked us, to begin with.
How phones play seesaw with our feelings. At one end, you have the deafening silence of laughing double blue ticks that have the quality of a burn. At the other end, you have that fleeting message tone which is sometimes a whistle, a bird song, a dot, a bite, an orgasm. Each having the capacity to make your heart euphoric and erase all self-doubt.
Obviously, we love the things that can show us our shame.
9. The Vegetarian – Han Kang
I loved Yeong-hye. I loved her miserable husband. I loved her resolve to become vegetarian. I loved her decision to sit in front of the refrigerator one morning and empty it slowly of all its meat. I loved that she made her husband eat tofu for days. I loved her calm. And like her husband, I felt destroyed by it too.
10. Joan Didion
Reading Why I writewas reassuring. Even though I am not there yet and perhaps never will be, it’s always gratifying to read a writer’s journey towards writing with a mad passion.
I discovered her madness in this article – How Joan Didion became Joan Didion. It’s a BuzzFeed thing which means it is pretty much buzzblah. But can’t complain: It took me to Didion. I don’t know many people who openly declare that they hate Pauline Kael. Even though I love Pauline Kael.
Here is her essay on New York. If you love places, the way they make you feel, how they tend to have more memories than your bodies, then you might like this essay. It’s never really a matter of liking or not liking a city. Didion shows us why.
11. The Idiot – Elif Batuman
Seline, Batuman’s writer-narrator is a freshman student moving into her dorm room at Harvard when we begin. Her roommate buys a refrigerator and tells her she can use it too but she must buy something for the room, like a poster. She suggests a ‘psychedelic’ poster. Seline can’t find one but finds the next option: A black and white picture of Albert Einstein. She is told to hang it above her desk and soon, several people express grave concern about this. Because you know? Opinions. Yawn.
He invented the atomic bomb, abused dogs, neglected his children. You worship him? Shame.
Don’t you know he abused his wife? How can you have his poster up on your wall? There are many greater geniuses who aren’t famous at all. Why is that?
After several days of torture, she sighs, and like all good girls, thinks of Nietzsche:
Maybe it’s because he’s really the best, and even jealous mudslingers can’t hide his star quality. Nietzsche would say that such a great genius is entitled to beat his wife.
That shut everyone up, I assume. But I was rolling on my bed howling with laughter.
Weeks later, when I was done, I could only satisfy the Batuman-shaped hole in my life by watching her YouTube interviews.
Obvi. What else could I read after having my heart raided by Batuman? I raided her back. Hacked into her New Yorker and LRB pieces.
In The Possessed, you see Batuman’s love for learning new languages. She learned Russian and Uzbek, applied for scholarships through her student life and got to live in Russia and Uzbekistan for two months.
In the essays, she tells us fascinating things she discovers. Take this for instance – In the Uzbek language, there are 100 words for ‘crying’ (!!!) There is a word for crying with a hoo-hoo sound, a word for crying after being dumped, for crying out of hunger, etc. I want to learn Uzbek now, especially since I cry 100 times for 100 things.
If you want a live example of how crazy she is – here is a videoof Batuman reading an excerpt from her essay The Murder of Leo Tolstoy. You can download it here.
13. Approaching Eye Level – Vivian Gornick
If I held onto what Feminism had made me see, I’d soon have myself.
– What Feminism means to me, Gornick.
I pored over essays on living alone, feminism, friendships, walking in the city and stopped for a long time after I read ‘Tribute’ – an obituary of a woman she calls Rhoda Munk. I have never heard of Rhoda Munk but the obituary, like all good obituaries, brings her alive. If you google Rhoda Munk, you will discover that even the internet has amnesia. There is not much that is known about her. Some say that Rhoda Munk is a pseudonym for someone else.
Even so, to write about someone that endearingly after they’ve died is to wish you’d known them well when they were alive. Gornick reminisces about the time she was invited to spend a weekend at Rhonda’s summer cottage. Over three days, the women talked, wrote, took long walks by the sea, had long conversations, cooked, read and took care of Rhonda’s many cats. This is what’s rarely possible even in most great marriages. She had that with Rhonda. A friendship with an older, accomplished woman, a writer, a possible mentor.
After that weekend though, Gornick tastes the bitter truth. She wasn’t special. The ‘honeymoon period’ of their friendship was over, she says.
Many many people begin to join them to live in the cottage. Turns out Rhonda had invited everyone she knew.
Gornick slips into the background and understands that nobody is ever really going to be enough for Rhonda and that’s what makes her Rhonda.
I don’t know Rhonda but I feel like I want to impress her.
14. The Opposite of Loneliness – Marina Keegan
Anne Fadiman introduces Marina Keegan as perhaps the only student to have boldly resisted Fadiman’s writing advice. Keegan was in Fadiman’s First-person writing class at Yale.
She resisted my suggestions because she didn’t want to sound like me; she wanted to sound like herself.
I was intrigued. Keegan was barely 20, and had the energy of a dead woman who’s come back alive to write. She had the guts to tell a published writer ki nehi boss, yeh mera style nehi hai. She wrote and rewrote until she was satisfied, which she never was. She was always convinced that she could write better.
In ‘The Opposite of Loneliness’, Keegan confesses that she doesn’t want to graduate. She wants to keep learning. She worries that it might stop if she goes out into the real world where one has to work to earn.
I wanted to shake her. The woman had already interned at the New Yorker’s fiction department and had received an offer to join them full time after graduation. She was barely 20. I feel like I must keep saying it. Feels like cuts on my wrist. Because what was I doing at 20?
The book is a collection of Keegan’s short-stories and essays. The characters in her stories will walk with you for a long time after you have finished reading. I remember the girl whose boyfriend died. She visits his parents to offer condolences and finds herself in the company of his beautiful ex-girlfriend whom they all love very much. Now she is grieving and jealous. Later, she finds his journal where he has written unflattering things about her.
I remember an old woman who reads to a blind young man twice a week. As soon as she enters his apartment, she takes off all her clothes and begins reading to him – stark naked. At one point her husband dies and she doesn’t go back to the blind man.
For someone who wrote astonishingly intimate stories about death and loss, it’s crazy that after 5 days of graduating from Yale, Marina Keegan died in an accident. She was barely 20.