Dear Mr Weiner

**Featured Image Credits: Young Writers Society**

**Featured Image Credits: Young Writers Society**

Dear Mr Weiner

When I think about writers,

I think about you Mr Weiner, from my degree days

you who proudly told everyone –

‘Yoohoo. I am a writer. I write.’

Often you wrote about yourself in third person,

‘But he was different from others. He could write. He could really write and not just string words together.’ (Like I am doing now)

 

When I think about writers, 

I also think about 2 lovely girls

from a class I taught years ago.

How they both hesitated to call themselves writers

even though they wrote like motherfuckers.

So now I want to say to you, Mr Weiner,

‘If at least one inch of your pubic hair can write like those girls, we’ll talk.’

***

**Featured Image Credits: Young Writers Society**

To Adult means what?

Image credits: TeePublic

Featured Image credits: TeePublic

No one told me that a big part of being an adult is paperwork. I spent all of last week being a good adult. And must now die in the nostalgia of sweet childhood where being adult was a lot more fun.

I am still hungry for the romance that I assume will only arrive after running away from home. The romance of living alone with a cat which will come and go like in Eunice D Souza‘s poems. Of dealing with plumbing issues on my own. Of having the occasional dinner party where friends bring expensive wine, and after they have gone, of staying up late to wash vessels and finally, of gazing out into the window like Julia Roberts in Sleeping with the enemy.

I have friends who live on their own and as I write this, I can hear their bouncing laughs. It is nothing like this. And I believe them when they say it. Even so, this has been my ultimate love story – to live alone except for those long weekends where lovers drop in and go, but cats always come back.

I digress.

The second thing I am beginning to understand about adulthood is that it’s mostly about being blind to it. A lot of growing up has happened over this year and I haven’t had the time to slow down, to see it, to either congratulate myself or curse it. Early last week, on Ambedkar Jayanthi, I wrote something that I had been trying to write for 2 years now. That post had been sitting in various angry drafts in various folders. It is a story I may have told very often, but for the first time, it didn’t feel like it was pointless. This time I had something to say.

***
Until a certain point, my life was overcrowded with people whose victories were quite strangely and rather strongly determined by how pointless they could make me feel about my writing. I have kicked them all out of my life and that is the third thing about adulthood – the gift of being able to say fuck off.

First Post carried my piece. They have some really cool design so it reads differently and better than it does on my blog. You can read it here.

I am grateful to Snegaa, who is famous for making Brahmin bedbugs weep. Snegaa who has always been there – ever since I started this blog. Over the years I have sent her pieces that I’ve enjoyed writing as also those I’ve struggled with. She has always taken time to read them carefully and offer solid advice. As of today, she is my dominatrix agent who sends me one- line reminders about sending writing pitches to publishers.

Namsiess, the love of my life is actually My Brilliant Friend. She is my Elena Ferrante, and my Lila-Lenu.

Very quickly, before this begins to sound like some lame I’d like to thank speech, I want to return to that Saturday evening of December 2012 when I was a newbie in the department. How I shyly took a piece I’d written to show it to AM and how I’d turned around with great speed and ran for my life immediately after.

Over the years, I learnt not to run, I learnt to be less afraid of my writing and what he was going to say about it. Right from calmly telling me for the 100th time, why something wasn’t working in my writing  – to his comments in those balloon like things on Microsoft word that went – ‘Were you fucking sleeping when you wrote this sentence? WAKE UP’  – to ‘Vj, just keep writing like you don’t care’ — It won’t be an exaggeration to say that over six years, he’s the teacher I am still learning from. Not just how to read and write, but also to work, to be a friend, to ignore, and most importantly — to be kind.

***

It’s my first time getting paid for something I’ve written. I have been waiting to let that sink in. It still hasn’t. And I hope it never does. Letting that sink in would be to forget the various small pleasures that I can otherwise mindlessly engage in. Like thinking about how all my school and college friends are married, about how I am every day grateful for not having done science/MBA/IIT/marriage/babies, about how I used to fail science and math but still managed to adult well, about how small I’d feel on days they’d return test papers with 9/60 and 3/50 — underlining boldly – the big failure I was to become in life.

I wish someone else was writing this but because nobody is going to narrate my life in third-person Anu Agarwal style, I must do it myself. That is the fourth thing about adulting. That sometimes you have to be the narrator, the writer, the heroine, and the villainess of your own fucking life.

P.S – Today rumlolarum is four-years-old. This baby has helped me grow more than I could have managed on my own. I’m all smiles and love. See? Proof: I don’t have to be married to be a mother.

Today I celebrate rumlolarum and my PCOD- prone uterus. Cheers!

 

rumlolarum

Thank you, WordPress!

 

 

*** Featured Image credits: TeePublic

Wild Hair and Mad Dalit Women

Featured Image credit: Dr Sylvia

Featured Image credit: Dr Sylvia

The idea all along was to live castelessly. My father and mother did it well. The last time I saw them hassled was when we lived in an apartment in Basavanagudi and the man upstairs did jasoosi, found out we were Dalit and started making a fuss. First he had full respect for dad’s position in the government. Sir! Sir! He’d say every time he saw him. Then the ‘Sir’ went off. The first thing to go when people ‘find’ you out is respect. The second is conversation. He stopped talking to my dad and began talking to dad’s office car driver.

But Noorullah loved my dad. Dad still finds it very puzzling that Muslim men have the greatest love for him. Noorullah didn’t tolerate that man’s banter. Once he came to chat with Noorullah about dad’s income and if reservation was going to take care of his pension as well. I am told that Noorullah attacked the man with a newspaper and chased him up the stairs.

After a while, my parents thought it best to leave that house and go elsewhere. Amma was heartbroken. She had built it – brick by brick. Right from the colour of the walls to the spoon in the kitchen – amma had given the house more than two years of her life. It was our first ‘own’ house, our first ‘non-rented’ house and that too in Bangalore. Wherever we were before this, we had always lived in rented houses and amma had hated it. She was tired of the agarbattis and the dhoops that had to be lit every time she made fish or chicken. She was tired of being asked what caste we belonged to before we were even given a tour of the house.

Maybe they still experience caste in small shocks today but because they have seen so much worse, they just laugh it off and ignore it.

This should have been my first lesson.

Today dad keeps having WhatsApp fights with people who are anti-reservation. When Tina Dabi topped IAS, it bothered many people and they sent shit forwards to him. Dad would sit and compose long messages to shut them up. They all began the same way – Mr so and so. I think you are wrong because –

He does the same thing even when he posts his Islamophobia ridden and anti-Tamil forwards but that’s another story and another tragedy altogether. I think he has figured out that the country is so stupid and so beyond help that the only way to gain respect, especially if you are Dalit is by behaving like a Brahmin or at least by trying to become like one.

***

Very early in school, it became clear to me that there was something wrong with me. I stood before the mirror every day of my school life trying to figure out what it was. One day it was the gap between my teeth. Another day, it was the dullness under my eyes, the paleness of my skin, the thinness of my hair, the roundness of my nose. The day after that it was my weakness in math and science. And the next day it was a smell that followed me everywhere I went. I stopped eating egg.

But I couldn’t find out what it was and gave up. I did what I had seen my mother sometimes do. She’d make friends to learn the secrets of the trade, as it were – to be accepted, to be liked. So to forget my own discomfort with myself, I craved friendships that seemed to be in excess for other people everywhere. Girls and boys who lived next-door to each other, who would walk to school together, eat lunch together.

Years later when I will read Elena Ferrante, some bits of my caste ridden childhood will begin to make sense to me. I understood the violence in those books because that was caste in my world. This is probably why my students find it hard to relate to the book, to me – because I keep talking about experiences that were/are alien to them.

In Belgaum where I studied for a year, neighbour aunties would pull their daughters out of our house exactly at 5 to say ‘Abhyas maadbeku. Time aaytu’

I thought Abhyas was some karate class they went to. My mother and I realised much later that Abhyas meant practice, study. Everywhere we looked, parents were training their children to be competitive adults – to get them ready to take over the world.

It must have been daunting for my mother to prepare her children in a city where everyone was fast, everyone was modern, where Merit sat like a Brahmin God — that visible form that we could see but not touch. Like kaig sikkidru baig sigolla. The proverbial distance between the cup and the lips.

We were put in good schools but beyond that these other girls had something that my mother knew she couldn’t give us because she didn’t know what, she didn’t know how. But she did something. She did what other mothers were doing. She took us to music classes, dance classes and there she figured, we will learn something. But did we?

The music classes were amusing. The children there seemed to know everything there was to know already. So there was no learning happening. There was practice happening. And then one day the music master played some tune on his harmonium and asked us to recognise it. Yeh raga cha naav kai, he sang to us. My sister told him her name. He stared, gulped air and moved on. So did we.

We didn’t go back after that.

How was my mother to prepare us for this battle without right genes and pure blood? It must have been a lonely time and lonelier world. This was a battle she was not ready for. Dad kept getting transferred so for the longest time she fought this alone.

This is what some of you would call cultural capital. And some of you would call Merit.

What does this mean in our lives but? How to define this invisible code?

It was that neat handwriting in which studious Brahmin girls wrote in their hardbound books, which some of us could never touch. It went from their hands and into the hands of others deserving and then into their bags. It was like a secret document that only some had access to.

It was the look of utter disgust on the faces of these girls when I asked them on the morning of some exam – can you please explain this theorem? And then they explained the same with pleasing smiles when some of their own asked them the same question.

It was the neat partition of their oiled hair, the ability to sit in perfect padmasana during tuitions, the glow of their skin, and the aroma of their vegetarian lunch boxes.

Essentially, Merit is a tall building full of assembly lined, well-oiled Brahmin robots who receive all the training very early to take over the world – Engineering, MBA, IIT, IIM, and now because it’s cool – humanities.

Merit is definitely not just hard work then. It’s the license code to being allowed someplace because you are of the right kind.

***

And this became starkly obvious to me when I started working as a teacher. I was still blind to caste in many, many ways. And discovering Ambedkar wouldn’t happen for a couple more years. But again, there was that growing anonymous discomfort with myself. I think back to the time when a Brahmin colleague declared over lunch one day ‘I am proud to be a Brahmin.’ I think back to the time when there was clandestine discussion over my NET qualification and its validity because apparently there was no evidential ‘merit’ involved.

I can only cringe with disgust now. It is clear to me that caste networks operate invisibly but quite strongly everywhere, especially in schools and colleges, and even among students. Here of course it takes on various forms – talent, good English, knack etc.

In the classroom, I am quick to sense when a student doesn’t find me challenging enough. When I take books that I’ve liked into the classroom – it is with a faint hope that if I can open out the book for them — something might click, and they will want to read it. I have learnt to rely strongly on my own pleasure to be able to reach out to students.

But the students’ demands on my ability to offer challenge, puzzle is blurring into that dangerous line where they switch off pleasure completely. I am horrified by their indifference to pleasure. What is the point of literature if you only want to capitalize it into an app that offers challenge and devalues pleasure?

Isn’t pleasure political? Doesn’t that make it a challenge? A book that did this for me was Nabokov’s Lolita. I struggled because I couldn’t believe how much I was being seduced by the damn book. And that immediately became political.

One of the things I have learnt from reading Paromita Vohra and watching her interviews obsessively is the idea that no one can and no one must define what is pleasure or what is political for you. That choice is yours to make and yours alone.

I might be the lesser person here for putting pleasure over everything else. And I know I cannot escape it when it leads to situations I often find myself in. For instance, it hurts my eyes when I notice students dumb themselves down to talk to me. But at least it doesn’t hurt my heart, thank god. Just my eyes, but oh my eyes! My eyes!

YouTube

But I’d rather have pleasure – you keep your merit OK? Tata bye bye.

What I have in abundance, that all Dalit people have, is the desire to learn, and the longing to feel alive.

This is the first thing I learnt from Ambedkar.

The next was that merit needn’t be something we cannot touch. Either by challenge or  pleasure, if we can get to the point where learning becomes something we are invested in every day, then we have won.

When I saw this, it became tolerable, even desirable for me to look into the mirror every day.

***

A nagging question I have had of all big movements, whether it is feminism or the anti-caste movement – is what to do in situations that life throws at us?

Bratty cabbage girls who hate female teachers, Brahmin batata vadas who smirk when you talk about caste in classrooms.  How to deal with them? I find that every now and then, I discover an answer because I’m always looking for one.

I went from anger to humour, from Ambedkar to Dhasal to Manjule, and found the answer with Gogu Shyamala.

The women in Gogu Shyamala’s stories (Father may be an elephant and mother only a small basket, but…) make me feel more empowered than #MeToo and #Losha.

In Jambava’s Lineage, Cina Ellamma is a young Bhagotam performer of the Nizamabad Chindu Ellavva Troupe. One day a bunch of upper caste men abuse her and she is outraged. She goes to the senior Ellamma for advice and this is what Ellamma tells her –

My child, we too have lived through many similar experiences … but we have somehow managed to keep the art of the Chindu Bhagotam alive. Those who resent or dislike us will speak harshly. We have to deal with them, persuade them maybe, but make sure that we continue with our own work. What you saw happening today is nothing compared to the high-handedness of the dora folk in the villages when I was a young girl. They would make us do all the work, and then say ‘keep your distance … you son of a madiga … chinduloda… dakkaloda’

As they listened to Ellamma, Cina Ellamma fell silent. Something touched her deep inside.

Ellamma continues –

‘The best way for us is to attract them with our performance, to make it so riveting that they sit and watch for hours. That is the most fitting reply to those who try to ride rough over us.

On stage I’d bring out all the anger and suffering hidden in my heart. I’d indirectly abuse some of the men sitting in the audience as if I was referring to someone else. Initially they were very angry, but gradually they changed, and grew more polite’

I am sorry if you don’t see the connection here but I do. Perhaps because Gogu Shyamala is writing about my women – not yours. My ancestors entertained and performed for a living.  And this story is equally important to me as a teacher because what is teaching if not performance? When I am doing my job, there is room for a lot of Savarna noise to drown me out. When this happened in 2015, I was crippled. It took me years to move on. I wish I had it in me back then to make my performance so riveting that they sit and watch for hours.

Instead I whined and moped and did nothing except fume.

In Tataki Wins Again, Balamma walks like a ghost at the crack of dawn to go water her fields. If she is late, the upper caste landlord would empty all the water into his fields. And that’s why she’d wake up at 4 in the morning and get there before him, every single day. This offended him so decides to rape her.

He grabs hold of her one morning and drags her into the fields. When he begins to molest her, Tataki ‘takes aim and kicks him as hard as she could on the groin with both her legs.’

The landlord collapses.

In the village, the mala and madiga women giggled through their sari ends as they shared the news, “The landlord wanted to catch our balamani. She kicked him in the groin!”

When I read these stories I feel like I have more than just answers. I have a way to live.

Gogu Shyamala Picture Courtesy - The News Minute

Gogu Shyamala — Picture Courtesy – The News Minute

At the Dalit Women’s Conference last year, Ruth Manorama said that our Dalit women must never respond to campaigns like #MeToo because we just end up becoming numbers for the benefit of Savarna Feminists.

It doesn’t happen to me very often but I heard my heart click into the right place when she said it.

My Mouma is a champion in life. She represents herself and she is not bound by anything. She is 82 and takes care of herself like a queen. If you mess with her, she will hit you on the head with a water bottle that she always carries around.

My Mouma

Mouma

These are the women I want to read and write about. Sumitra, the woman in my short -story is vulgar in her laughter and dirty in demeanor.

I had just been looking in all the wrong place for answers but as it turns out – Dalit women have always had answers to these questions. Women with loud and vulgar laughter who, like their hair, are mad and untamable – always do.

***

*Featured Image Credits – Savarna Audience by Dr Sylvia Karpagam at drsylviakarpagam.wordpress.com

The Prof. Barbra Naidu Prize for the Personal Essay 2018

Department of English, St. Joseph’s College (Autonomous)  is announcing the sixth edition of The Prof. Barbra Naidu Prize for the Personal Essay 2018.

If I could, I would write for this Prize. Because Friending/Unfriending seems like my full life only.

There was Rashmi who I sat next to in first standard. We never spoke but once when she wasn’t there, I peeked into her bag. And in that peek, I set into motion — my lifelong career of being fascinated with women. But I am stalker shakeela, I admit. Must stop.

There was Tanaaz who I pushed into the gutter because I didn’t like the way she was distant from me and seemed to be enjoying her private moments.

Then there was another girl who said she would put me in a mixie and grind me. You get the idea – I haven’t had the brightest of luck with friendships. And I must have done more violence on them than they have on me. So take your chance and write. About your Lilas and Lenus. About your Rashmis and Rohits.

In the previous years, we have had themes such as Finding Culture, Living Online, Finding Family etc. You can read the prize-winning essays here.

The theme this year is Friending/Unfriending. Deadline: 11 Feb 2018.

The contest is open to Students (School & college) and the general public. Mail your entries (MS-Word) to barbranaiduprize@gmail.com26167215_1960814583933938_3122900853717476084_n

black eyes black chappals

He must have responded to the thinning black skin around my eyes, the pimples on my face and the gap between my teeth that shined when I laughed. I must have seemed to him- ugly, scrawny, small. He threw the book on my face and I sunk back within the folds of my own embarrassment. Leaning against the wall, I looked away and cried secretly – punishing my forearm for being weak.

I carried my journal everywhere I went. It was a spiral bound notebook that I hid from many and showed a few. But I liked being seen with it. This is the same journal that I will go ahead and set fire to, a couple of months later because mother had found it.

When he picked it up that day, I had been writing about my affair with his friend. The three of us were sitting in the shade of an enclosure on the terrace. He was a big guy, easily intimidating and frightening to those who didn’t know him and charming to those who did. He snatched my journal away three seconds after he sat down and started reading really loudly.

My own tragedy is that I become a child when I am around bigger people. More than their bigness, my own smallness in their presence fascinates me. I whined a little, thumped his knee caps lightly and tugged at his shirt. He brushed me off first, pushed me a little and continued reading. I said no and tried to pull my journal away.

At this point, his face stiffened and he looked dismayed and surprised that I had a right over my journal. He flung it on my face and it fell with a thud onto my lap where it remained for the rest of the afternoon.

It must have hit my nose really hard because my eyes were welling up and my chest felt hot and stomach felt hotter.  When I could no longer continue weeping quietly, I started sniffling. He said nothing. The other he said nothing either. When we stood up to leave, he put his arms around me and it feels brutal now because I’m ashamed that everything became ok after that.

***

The chappals that I liked wearing were black and opened around the corners of my foot. It covered only the middle part of my foot. When I lost these chappals, I went again to the store and asked for the same pair.

This time, four of us were sitting in the enclosure – both the hes and a she who was my best friend. She loved me a lot but she didn’t like the chappals I wore. One by one, they each took turns to say that it was ugly and hardly suited my height and that I am insulting my father’s richness by wearing cheap chappals.

-I like it.

-That’s not the point. You look like a slum girl.

-It’s ok.

-Vj, please ya. I will give you the money tomorrow. Let’s buy you something else.

***

In a friend’s house, I came to be known as Mochi because I got my chappals from a brand called Mochi. Behind their open laughs, I wonder now if there was more. Maybe Mochi was the unwashed rat’s tail that I tied into a pony. It was my plump nose that was made more awkward by the fat in my cheeks and the misery in my walk.

***

On Elena Ferrante

Finally, finally, finally. Sat down and wrote about reading Elena Ferrante. This is my first piece for The Open Dosa and I’m thrilled that it’s about Ferrante. My students and I were just dying to talk about her at Meta this year. The following picture is from the day of the panel.

TransFerrante-2017-1024x674.png

For Drishti, Ila, and Vismaya. With Louu.

This is my favourite picture from Meta. These girls and I have bonded over many other things – struggling with writing, reading, life, classes, clothes, and shoes. Now that we have Ferrante in common, these peeps will always be a part of me.

Read the piece here.

Salt and Pepper

In some worlds, I’m longing to start living.

In most others, I’m already living without meaning to.

There is nothing sadder than the tragedy of someone living in their past and getting others to live it with them.

It’s always hard to say goodbye — even to the most terrible version of ourselves.

After all, it’s the only reliable thing in the whole world:

The comfort of knowing that we will be just as menacing as our enemy and just as quiet as a sleeping friend.

Shri Pehelvan Sahaveer Main College

In my 10th std, everybody was convinced I was going to fail because I was the dullest child in Math that my family had ever produced. My English was declared just average because I didn’t know what the word ‘uxorious’ meant when we were watching Monsoon Wedding. My sister was the Harry Potter fan girl when this happened. So it was believed that she was the rock star and I needed help. My mother told me not to worry because they were going to set up a pharmacy in my name if I failed tenth and that I wouldn’t be jobless.

Whenever I think of this, I think of what all my high school over- achieving Brahmin friends would have said if they had seen me duck under the counter covered with Orbits and Kama sutra in Chintu Pharmacy. Or under the counter at Chintu Rajasthani cotton expo that had come mind numbingly close to Chintu’s café. Mouma seemed to be the only one who saw me with a degree in Humanities yet not in any of the Chintu buildings. She was the only woman to have faith in me. She said she would write letters to Puttaparthi Sai Baba and that he would pass me in all my exams.

I went to Shri Pehelvan Sahaveer Main College in Bangalore to do my B.A Journalism. It was quite a unique college. The Journalism course was run by the Psychology department and this was all kinds of hilarious. They kept finding saffronistas to teach us Journalism. My favourite cartoon was a Radio producer turned College lecturer named Radio Kantri. Radio Kantri taught us journalism by talking fondly of his childhood, The Hindu, Narendra Modi, and why A.R Rahman at the Oscars was the best thing to happen to India. Three years doing Journalism there and all I learnt was that The Hindu is a better newspaper than The Times of India.

In 2009, the infamous Mangalore Pub attack happened and I decided to send a pink Chaddi, thanks to The Pink Chaddi Campaign. Later that week, my father told me that he was friends with Pramod Muthalik, the bald head behind Sri Ram Sene, and that he had given him 10,000 Rs the previous year. I sent Muthalik another pink chaddi.

Versions

I don’t know how many different versions there are of me. I don’t know which one to trust. But there is a fake one, a moody one, an overthinking one, a frequent one, and a dishonest one. I have become increasingly suspicious of what I am saying to people in moments of intimacy. I think that whatever I say will be lodged somewhere in the air or in my own head, and that it will be said and used by the people they were told to. Or it will be said repeatedly in my own head until I have extracted all possible meaning out of it, tested it and vowed to never open my mouth again. This does not mean that I cannot trust people, this simply means that I am losing what I was once capable of: the ability to keep quiet and not offer comment.

I am growing more and more desperate because I am not able to decide who I want to be. On any given day, I am the over-thinker. I watch myself cautiously, pausing now and then to test the waters, exercise free speech – withdrawing every once in a while and eventually reserving all my comments for people I am comfortable saying anything to.

Lately, I have been asking myself – Should there be people in my life I can say anything to? Why? Why risk it especially since I know for a fact that I have never been able to continue friendships? That the bottom line of all failed friendships has been never to grow too attached to people?

Then there are other days when I manage myself pretty well. I listen and say nothing. But then there are also days when I blurt things out to people in moments of excitement and wonder why I am alive. Although with a lot of practice now, I know when I am saying things that I will later regret — my brain sends me green signals but my tongue ignores it and goes at it. This is followed by five minutes of recalling what I have just said and ten minutes of considering becoming Buddhist.

At one level, I am losing respect for myself because I think I have become information hungry. Like some fucking news channel. My only option now is Buddhism.

All my energy today is going into not explaining why I have so much free time.