After the zoom meeting, we sat in the board room to go over it. Insi, who had missed the meeting was next to me and Sharan, next to her. We were filling her in on what she had missed and how everyone had looked (Simba’s hair, Fiona’s children who kept peeking in and giggling, Nat’s wedding)
Mia was sitting at the back and I felt ecstatic that for once, her plans hadn’t worked. She was quick to strategise seating arrangements for herself so she wouldn’t not be the centre of conversation but I couldn’t tell why she’d missed this one. How was it possible that Sharan was sitting here, and Mia wasn’t?
Sharan told Insi that Simba was not doing so well in the pandemic. His university was unstable and he had been looking at other options. I went a step further and confirmed that he had told us that he had been fired. Sharan looked disturbed. Without betraying any kindness in his eyes, he shook his head and told me “I’m sorry, but I don’t think this bit of news is yours to tell. It’s Simba’s”
I felt my head reeling. I looked around to see if Mia had heard and watched me being shoved into my place. She was engaged in a lively chat with others, and no one seemed to be paying any attention to what had just happened. Insi herself was a blur between Sharan and me. It didn’t matter what she thought. But I loudly agreed with Sharan. “Yes yes, you are absolutely right. It’s not my news to share. I’m so sorry”
Sharan continued talking to Insi and I couldn’t hear anything he said. I was distracted by how easily he had made his discomfort known and how despite being told off, I wasn’t feeling resentful towards him. I felt a mad urge to undo what I had done, to impress him somehow before the day was over so he wouldn’t have to carry his bad opinion of me into the next day and forever after that.
I wished I had kept quiet. It’s so charming to watch women not as desperate as I am, those who firmly seem to know what to say when. I wished I had that fierce cross-legged independence. Next time, I told myself.
First of all, Etgar Keret’s voice is fun. His ‘eys’ are a delight. Second of all, I want to punch myself for not having read Janet Frame earlier. On a films on writing spree many years ago, I downloaded An Angel at my table but never got around to watching it. Somehow New Zealand seemed distant.
Last year, I found, grabbed, and bought a second hand copy of An Angel at my table at Moe’s books. And that was it. A few days ago, I listened to this New Yorker Fiction Podcast, and felt rescued by Janet Frame.
I am forever grateful to the NYFP series which has given me a range of writers and their worlds to swallow from my Basavanagudi terrace where I water plants & wonder why the color green on my curry leaves is unconvincing.
In this podcast, Keret reads ‘You are now entering the human heart‘ a short story by Janet Frame. It is about a woman watching a museum attendant demonstrating ‘snake handling’ to a class of young children, and their teacher. He invites the reluctant teacher to hold the snake, telling her that the children wouldn’t want to hold the snake if she looked afraid so she must smile and pet the snake. Nothing happens and many things happen.
I read it with Keret’s voice narrating it slowly. In conversation with Deborah Treisman, Keret says that Frame writes to survive. He rarely feels that with other writers. Competence is one thing. “With competence, you can be a con man too. But writing to survive, to finalise something for yourself is something else entirely”
He is open to her writing in a way very few men are to women’s writing.
“I love her short fiction. I think there is something freeing about the way she writes. She doesn’t write for a goal. She just kind of floats or levitates. There is this feeling of zero-gravity I feel when I read her. The reader wants to forget everything and just be. Even though she was less well known than other award winning writers, writing like her wins you peace of mind. When she writes, she wants to figure out what the world and she are all about. She writes to feel less stranger to herself. And that’s something that I feel when I write”
When Treisman asks if that “works” for him, Keret says “Take a leaking roof. If you put a tissue paper and someone asks ‘does it work’? all you can say is ‘it’s all I got”.
When I began reading Keret, I remembered one strange evening in 2014 when I went to Alliance Française to attend the Israeli Film Festival. Some Savarna colleague and her husband were very offended. ‘Don’t you know what’s happening in the world? Why are you not political, blah blah.’
AM had a sharp response. Something about how politically correct Savarnas who are quick to feel offended by what others do, should perhaps also feel offended about living in a country led by a fascist. I noted that when I had said something similar but cruder – said Savarna woman protested, refusing to hear me out. Hearing it from AM, she shut up.
Either way, left to Savarna virtues, I never would have discovered the joy of reading someone like Etgar Keret. VN gave me her copy of The girl on the fridge for my birthday and I haven’t been the same.
Janet Frame had to write in severely threatening circumstances. Here is a bit of trivia:
“Following years of psychiatric hospitalisation, Frame was scheduled for a lobotomy that was cancelled when, just days before the procedure, her début publication of short stories was unexpectedly awarded a national literary prize” (Wikipedia)
Keret’s parents survived the holocaust. A question people continue to ask him is why he chooses to write fiction when he can write about ‘so much more’ – his parents’ survival, the holocaust, and what Israel is doing to the world. I believe these people have never read his work at all.
His fiction is a reminder of what’s possible when we continue to write in zero-gravity through the crushing weight of memories that hold us back. People with opinions will continue to tell others how they should write, live, behave but as long as you keep writing, you don’t even have to raise your middle fingers to them.
I can recollect the last six years of my life only in semesters. No other measurement makes sense. The last time I did this, I was less obsessed with archiving. Even so, this still remains the only reliable way of dealing with the guilt of not writing about the books I read this semester.
The Professor and the Madman: A Tale of Murder, Insanity and the Making of the Oxford English Dictionary – Simon Winchester
I was teaching a paper on linguistics this year and began my semester with this book. Kindle often gives one the impression that the reading is going a lot quicker than it usually does. Even so, the reading was slow – all the note-making definitely helped – as did the time I took to marvel at each history lesson learned. I loved the book because it told me fascinating stories about people who channeled all their energy into pursuits that are barely acknowledged today.
The book is about the making of the Oxford English Dictionary. The history of how a bunch of men spent 2 decades and more to produce the world’s first dictionary. Samuel Johnson had actually done it long before them, as did many other people who put together one form of a dictionary or the other. The earliest known was a dictionary of the most difficult words.
I discovered Samuel Johnson’s passion and wrote this little post to show him some love.
2. Are You My Mother? – Alison Bechdel
I’d read Fun Home last year and still recall the line “If there was ever a bigger pansy than my father, it was Marcel Proust” with many giggles.
Bechdel is funny, mysterious, and obsessed with writing. Anyone who wants a little kick on their bums to get that push to start writing should read this. There are lovely panels featuring Bechdel at work – hands in her head, thinking, revising, editing, collecting material, typing even as she talks to her mother on the phone. Plus many many flashbacks. If there’s one thing I love about flashbacks, it’s watching them. If there’s one thing I love more – it’s reading them in graphic novels.
There is more Woolf in ‘Are You My Mother?’ than there is in ‘To the Lighthouse’. During my post-grad days, I tried reading To the Lighthouse and gave up because it went over my head. Not that I’ve suddenly become smart. But Bechdel took me to Woolf in a way that even the threat of failing M.A couldn’t. So easily, so kindly, so lovingly.
3. To the Lighthouse – Virginia Woolf
I’m convinced that Virginia Woolf wrote a better testimony to Feminism in ‘To the Lighthouse’ than in ‘A Room of One’s Own’. In TTL, Woolf warns us about all the Mr. Ramsays in the world. You and I know Mr. Ramsay very well. He is the man, who, when he walks into a room, any room – must have immediate attention. Otherwise he will throw tantrums. He has to know what you are doing, what you are thinking, otherwise he will die.
Reading this helped me deal with the Mr. Ramsays in my life.
4. The Murder Room – PD James
Took me several months to finish reading this one but perhaps that was a good thing. I will cherish Tally Clutton and her resolve to live alone. Wrote about this in March.
5. Poonachi – Perumal Murugan
I still worry that I didn’t say yes with my dignity intact when I was asked to be on a panel with Perumal Murugan and Kalyan Raman. My heart shrieked and made a fool of me.
I spent most of March being anxious. I worried because I didn’t know Tamil. I worried because English speaking worlds are all alike – they are always brutal to non-English speaking worlds. I worried because, in this equation, I was part of the English speaking world.
The panel was on Murugan’s Poonachi – a book that made me have feelings for goats.
A big part of the reading experience was compromised because of the panel. There was a sense of structure but for days I worried that I would just embarrass myself or worse, Murugan would hate me. I haven’t been able to write about the panel yet. When I can, I hope it can convey the pain and the love in my heart for Murugan.
6. The Goat Thief – Perumal Murugan
Devoured the stories slowly. Most stories have women doing fab things. My favorite had an angry housewife kicking the husband away from sitting in her favorite chair. She then carries the chair over to the kitchen with an enviable Jejamma style.
Another story had a woman who worries about a persistent smell in the house until eventually one day, she is swallowed by a commode.
But the most memorable story in the book is ‘shit’
Apparently, Murugan wanted to release a bunch of stories with the title Shit Stories but the publishers chickened out. Bastards.
‘Shit’ begins with a bunch of upper caste ‘progressive’ boys who go mad because of a stench in their house. Turns out the drainage pipe behind their house is broken so they call someone for help. The man who shows up, Dalit of course, goes down the septic tank and begins to unclog the shit. Murugan describes every step that the man does under the septic tank, while the reader is slowly taking in the boys’ disgust upon seeing this. After a while, like Manjule’s audience, you too begin to pat your cheek softly because Murugan has slapped it that loudly.
7. Broccoli and Other Tales of Food and Love – Lara Vapnyar
You only need to know that there are two old women named Luda and Milena in this book who made me laugh so much, that I cannot wait to be old and funny. I want to grow old with Namsies the way these two do.
Luda and Milena both compete for a man’s affections (boring, overdone, what else is new – ha, yes, but wait for it) They lure him with food even though they detest cooking. Every evening they break their heads over what to cook – all the while thinking sincerely about each other (not the man)
In the end, the man dies.
I’ll leave you with that.
8. Conversations With Friends – Sally Rooney
Here’s a book that made me wildly uncomfortable. It showed me the distance between me and how I’d like to write.
It showed me what to do with people who are meant to be characters in books that we always tell ourselves, we will write someday – one day.
In the book, I found the language for daily anxieties that friendships tend to bring, the pleasures that there are, in going over WhatsApp chats from years ago for no particular reason. How we devote entire afternoons lying on the bed, assessing relationships, friendships – looking for proof that really- they don’t love us. In fact, they never liked us, to begin with.
How phones play seesaw with our feelings. At one end, you have the deafening silence of laughing double blue ticks that have the quality of a burn. At the other end, you have that fleeting message tone which is sometimes a whistle, a bird song, a dot, a bite, an orgasm. Each having the capacity to make your heart euphoric and erase all self-doubt.
Obviously, we love the things that can show us our shame.
9. The Vegetarian – Han Kang
I loved Yeong-hye. I loved her miserable husband. I loved her resolve to become vegetarian. I loved her decision to sit in front of the refrigerator one morning and empty it slowly of all its meat. I loved that she made her husband eat tofu for days. I loved her calm. And like her husband, I felt destroyed by it too.
10. Joan Didion
Reading Why I writewas reassuring. Even though I am not there yet and perhaps never will be, it’s always gratifying to read a writer’s journey towards writing with a mad passion.
I discovered her madness in this article – How Joan Didion became Joan Didion. It’s a BuzzFeed thing which means it is pretty much buzzblah. But can’t complain: It took me to Didion. I don’t know many people who openly declare that they hate Pauline Kael. Even though I love Pauline Kael.
Here is her essay on New York. If you love places, the way they make you feel, how they tend to have more memories than your bodies, then you might like this essay. It’s never really a matter of liking or not liking a city. Didion shows us why.
11. The Idiot – Elif Batuman
Seline, Batuman’s writer-narrator is a freshman student moving into her dorm room at Harvard when we begin. Her roommate buys a refrigerator and tells her she can use it too but she must buy something for the room, like a poster. She suggests a ‘psychedelic’ poster. Seline can’t find one but finds the next option: A black and white picture of Albert Einstein. She is told to hang it above her desk and soon, several people express grave concern about this. Because you know? Opinions. Yawn.
He invented the atomic bomb, abused dogs, neglected his children. You worship him? Shame.
Don’t you know he abused his wife? How can you have his poster up on your wall? There are many greater geniuses who aren’t famous at all. Why is that?
After several days of torture, she sighs, and like all good girls, thinks of Nietzsche:
Maybe it’s because he’s really the best, and even jealous mudslingers can’t hide his star quality. Nietzsche would say that such a great genius is entitled to beat his wife.
That shut everyone up, I assume. But I was rolling on my bed howling with laughter.
Weeks later, when I was done, I could only satisfy the Batuman-shaped hole in my life by watching her YouTube interviews.
Obvi. What else could I read after having my heart raided by Batuman? I raided her back. Hacked into her New Yorker and LRB pieces.
In The Possessed, you see Batuman’s love for learning new languages. She learned Russian and Uzbek, applied for scholarships through her student life and got to live in Russia and Uzbekistan for two months.
In the essays, she tells us fascinating things she discovers. Take this for instance – In the Uzbek language, there are 100 words for ‘crying’ (!!!) There is a word for crying with a hoo-hoo sound, a word for crying after being dumped, for crying out of hunger, etc. I want to learn Uzbek now, especially since I cry 100 times for 100 things.
If you want a live example of how crazy she is – here is a videoof Batuman reading an excerpt from her essay The Murder of Leo Tolstoy. You can download it here.
13. Approaching Eye Level – Vivian Gornick
If I held onto what Feminism had made me see, I’d soon have myself.
– What Feminism means to me, Gornick.
I pored over essays on living alone, feminism, friendships, walking in the city and stopped for a long time after I read ‘Tribute’ – an obituary of a woman she calls Rhoda Munk. I have never heard of Rhoda Munk but the obituary, like all good obituaries, brings her alive. If you google Rhoda Munk, you will discover that even the internet has amnesia. There is not much that is known about her. Some say that Rhoda Munk is a pseudonym for someone else.
Even so, to write about someone that endearingly after they’ve died is to wish you’d known them well when they were alive. Gornick reminisces about the time she was invited to spend a weekend at Rhonda’s summer cottage. Over three days, the women talked, wrote, took long walks by the sea, had long conversations, cooked, read and took care of Rhonda’s many cats. This is what’s rarely possible even in most great marriages. She had that with Rhonda. A friendship with an older, accomplished woman, a writer, a possible mentor.
After that weekend though, Gornick tastes the bitter truth. She wasn’t special. The ‘honeymoon period’ of their friendship was over, she says.
Many many people begin to join them to live in the cottage. Turns out Rhonda had invited everyone she knew.
Gornick slips into the background and understands that nobody is ever really going to be enough for Rhonda and that’s what makes her Rhonda.
I don’t know Rhonda but I feel like I want to impress her.
14. The Opposite of Loneliness – Marina Keegan
Anne Fadiman introduces Marina Keegan as perhaps the only student to have boldly resisted Fadiman’s writing advice. Keegan was in Fadiman’s First-person writing class at Yale.
She resisted my suggestions because she didn’t want to sound like me; she wanted to sound like herself.
I was intrigued. Keegan was barely 20, and had the energy of a dead woman who’s come back alive to write. She had the guts to tell a published writer ki nehi boss, yeh mera style nehi hai. She wrote and rewrote until she was satisfied, which she never was. She was always convinced that she could write better.
In ‘The Opposite of Loneliness’, Keegan confesses that she doesn’t want to graduate. She wants to keep learning. She worries that it might stop if she goes out into the real world where one has to work to earn.
I wanted to shake her. The woman had already interned at the New Yorker’s fiction department and had received an offer to join them full time after graduation. She was barely 20. I feel like I must keep saying it. Feels like cuts on my wrist. Because what was I doing at 20?
The book is a collection of Keegan’s short-stories and essays. The characters in her stories will walk with you for a long time after you have finished reading. I remember the girl whose boyfriend died. She visits his parents to offer condolences and finds herself in the company of his beautiful ex-girlfriend whom they all love very much. Now she is grieving and jealous. Later, she finds his journal where he has written unflattering things about her.
I remember an old woman who reads to a blind young man twice a week. As soon as she enters his apartment, she takes off all her clothes and begins reading to him – stark naked. At one point her husband dies and she doesn’t go back to the blind man.
For someone who wrote astonishingly intimate stories about death and loss, it’s crazy that after 5 days of graduating from Yale, Marina Keegan died in an accident. She was barely 20.
There is a man at the fair who wears thick wooden hoops on his thin, dark arm. He stands inside and will only come to you if you pay him 10 rupees for 5 hoops. And then he goes and stands back in the corner again. The first two buttons on his loose, white shirt are always undone. I put my arm over the railing and wonder if he is watching. I wonder if he isn’t already tired from watching countless tiny girls making terrible aims at dolls, toy cars and teddy bears. I aim for the doll in the nice blue dress with the sparkly wings. I miss all three times. And then I aim for the packet of Parle G biscuits which I get. I am frowning and pa is now pulling me by the arm to take me over to where ma is standing with my little sister. She has made my sister try all of the three frocks which now lie crumpled and decided on the dirty chair. I look at her tired face and want to hit her. Ma has picked the same three frocks for me. Whatever I get, my little sister gets. That’s how it has always been.
Pa says that he doesn’t want to eat anything and ma says that we can always go back home and she will make something for us. Pa says no to that although I know he wants to eat karimeen sambar again. I wish we don’t. I want to eat Chinese but before I can say anything, Pa has spotted a Dosa point that will give you 33 different dosas and before I know it, I am being pulled into the tiny room with the four tables squeezed next to each other. It smells odd here – old and chipped walls, smelly table top and a tall, steel glass that I push away. Ma orders 4 masalas. I don’t want to eat it but I believe I am old enough to know that in this battle, mothers always win. I tear big pieces of the Dosa and dump it in the space between the table and the wall. I make sure that no one notices, especially the waiters.
On the way back home in our green Omni, I look at my little sister who is fast asleep. Her flabby cheeks are dancing sideways and I want to tear them off. She looks peaceful in her sleep and this annoys me very much. The road looks empty and noiseless. The street lights fall in neat box-like patterns on my lap and I play a game. I must poke in between all the yellow spaces that form and must hurry before the next one comes. Till we get home, I play this game. I miss just the one time.
In bed I cannot sleep so I keep shifting positions until I find one that allows me to look at the moon. The only thing that disturbs me is pa’s loud yawning. He is sitting in the hall watching TV. Every now and then, his mouth makes a loud quadrilateral and yawns terribly. And since then, I cover myself up fiercely whenever I hear a male yawn.
British Council organised a short fiction workshop with writer Jahnavi Barua last weekend. This isn’t my first attempt at fiction. But I don’t know what it is. Read and tell me. Thank you.
On some days Savitri hides behind the fridge and eats chicken momos. Her son doesn’t know. Ahalya, her daughter in law, knows but acts like she doesn’t. When she sees Savitri afterwards, she turns her head determinedly, refusing to make eye contact. Karthik first brought the momos two weeks ago; Savitri found out from the warm peppery smell in his bag, caught him and admonished him for eating gopi’s manchuri again. The doctor won’t find your heart only, your body will be full of China, she’d said.
Ajji, firstly it is not gopi’s manchuri. It is gobi. Gobi means cauliflower. Cauliflower means hookosu. And I’m not eating gobi, I’m eating momos.
Same thing, she said and then slyly asked for a bite. Karthik giggled. He wasn’t going to tell her that it had chicken. His eyes widened and as she took her first bite, he began making rooster noises. Ajji, you are eating chicken, he finally said. He wondered if she was going to collapse but she didn’t move and her face had the kind of smug satisfaction that was only seen when her son yelled at Ahalya for putting too much salt in sambar.
That her 18 year old hippie grandson had just destroyed her 72 year old Brahmin life didn’t seem to worry her even a little bit. After attacking three momos she went to have bath. The geyser was off so Karthik assumed she was having cold water bath as penance in the freezing mad winter. Since then she has been smuggling chicken momos into the house through Karthik every week. She gives him 50 Rs extra to keep his mouth shut. If your appa finds out, then I won’t be able to show my face to him, she’d pleaded.
But soon she started worrying. Often she’d sit huddled in the pooja room in a catatonic state, muttering and chanting prayers Karthik had never heard before. When Karthik told her that he didn’t feel bad about eating chicken because he removed his sacred thread before eating, she wondered if things would have been easier if, like Karthik, she could also be just not Brahmin for a few minutes every day.
She slowly started to take it all out on her son. She banged his coffee on the table every morning and growled at him whenever he asked if her leg was ok.
On Ganesh Chaturti, she told Karthik to bring her 2 plates of momos. When Savitri and Ahalya sat together in the kitchen making paysa for the pooja, Savitri asked her if she’d ever tasted chicken. Ahalya was silent for a long time and when she could no longer bear it, she said that she didn’t care about the gods but her husband would never forgive her if she ever did such a thing. Savitri withdrew into a corner that evening and devoured both plates of momos after which she went straight to bed. No penance that night.
Lo woke up to the tit tat of the old typewriter that had made noise off of its malfunctioning letter P. Humbert Humbert used a lot of P’s. He rammed the letter P into its home, jarring his teeth with frustration. ‘I’m sorry but you have got to appear’ he barked. Lo stood now at his doorway and looked at him with all the pillow face that she carried from her room.
‘You woke me’, she whispered.
Humbert Humbert gave a start and looked at little lo. She was wearing a plain white T shirt and pajamas that were very long. They covered her toes and she kept tugging at them like she wanted them but didn’t want them. The animal in our hero gave a long, soft purr. He approved.
‘I’m sorry, I didn’t realise you were so close, sleeping. I’ll keep it low’, he said. His voice trying every bit he could muster to defy his feelings which were prowling around a little too menacingly towards her pajamas.
‘No-is ok, I’m up now’, she said and turned away. Humbert Humbert continued to look at the white space that Lo left. An almost angelic light sifted around where she had just been leaning. He got up to follow her. An air that was left by her hit his face and he sighed. It smelled of Jasmine and baby powder. He wanted so much to nuzzle his face in her neck, in her hair, in her. He stepped on what appeared to be a soft piece of cloth. He picked it up only to have his face, nose and eyes crave for Lo. They were her pajamas. She had removed them on the top of the stairs and he was now dissolving his face into her smell.
If the night couldn’t possibly give him the desired climax, he would have very much liked to stop at this. Him – holding her pajamas, breathing it, breathing her, imagining what she would be like, leaning over him, in bed. Her hair, in his face. But the thought of seeing her naked knees and the beauteous mass of thighs that lay over it, pushed him into the kitchen.
Lo sat in front of the open refrigerator, naked legs arching over near her chin. Her panties were soft and white and looked like they were doing perfect justice to what lay inside. But he wasn’t bothered about it for now. He just liked looking at her doing what she was doing so beautifully. Her face was crammed inside the refrigerator and she emerged a few seconds later with a box of Vanilla ice cream and a cup of raspberries. Humbert Humbert just watched her, his hands clutching at the deep insides of his pockets. Lo was wedging the raspberries in each of her fingers, dipping them in Vanilla ice cream and just as easily as she had left Humbert Humbert in his room,after changing his life forever, she was plopping the raspberries in her mouth, one by one.
Humbert Humbert was very afraid now because he knew himself too well. He realized that now that he had seen this thing, this creature, this child-woman, he could never let the moment go. Or her.