Categories
Film

J for Jabya

Jabya smiling, Jabya laughing, Jabya crying, Jabya studying, Jabya singing – is a boy in love. Jabya doing homework is Jabya writing Shalu’s name on the slate. Jabya, in uniform, is Jabya dreaming of wearing t-shirt & jeans some day. Jabya who makes his friend wait while he combs his hair, who rubs powder on his face, powder dropped carefully from a paper is a boy next to whom nobody sits with in school. Jabya who reminds me of a student who loves to dance, Jabya who reminds me of my brother who pushes his hair back when nervous, is a boy who has to hide himself so he can watch the girl he loves & smile.

Jabya climbing up trees with his friend to catch a black sparrow that will bring him luck & love, is young Ambedkar climbing up trees to read. Jabya’s friend who doesn’t know how to climb down trees is young Ambedkar jumping down trees. Jabya at Aashiqui cycle mart is Jabya in love. Jabya pulled away from Aashiqui cycle mart to remove a piglet from the ditch is Jabya not allowed to remain in love. Jabya who has nightmares of that piglet when he sleeps is Jabya who chases a black sparrow every morning so he can convince himself that he is not the pig that Shalu has to flee from. 

Jabya who cycles out of the village to sell ice lollies is Jabya standing outside a Van Heusen billboard in town, staring at the white man’s sharp nose & feeling his own flat nose. Jabya dancing on Chankya’s shoulders is Jabya closest to Shalu who is watching from above, even if momentarily. Jabya’s Chankya is a man who saves Jabya without even letting him know that he was in danger all this while. Chankya, who guides Jabya to remain alive, who sets him to chase a black sparrow, distracting him, even if momentarily, from the horror of this impossible love.

Jabya chasing pigs is Jabya hiding behind the walls, hiding from school, hiding from classmates, hiding from Shalu. Jabya still inches away from the black sparrow is Jabya never losing hope. Jabya, inches away from catching the pig, Jabya standing still for the national anthem is a slap on your face, my face, and this fucking country’s face.

Jabya pelting stones at the pig is Jabya learning how to pick up the stone differently. Jabya has picked up stones to catch the black sparrow before but he always did it out of love. Jabya carrying the pig in front of his school walls where Ambedkar, Savitrimai, & Jotiba look on grimly is the image we need to remember everyday. Jabya picking up the stone in the end, is Jabya finally picking it up for himself. Jabya throwing the stone at the camera is throwing the stone at you. Manjule’s slap for you, for me.

 

 

Categories
Books In Between

Tuesday, 6:45 pm, Department

20151102_165347.1

Alison Bechdel, Virginia Woolf, Nagraj Manjule

Strange day.

Finished reading Alison Bechdel’s ‘Are you My Mother?’ this morning. She took me to Woolf like no one else has – not even Woolf herself. Bechdel’s dream sequences are told and drawn with so much ferocity that they begin to seep into the non -dream sequences as well. She gets you curious about desire, shame, words, and anger in a way that only your body can teach you.

I pulled out all my Freud books and set them aside. Later, in the department I spent sometime trying to warm up to Freud. The man is bloody unreadable. I turned instead to Woolf’s To the Lighthouse – hoping, like Bechdel, to find more answers about Psychoanalysis than psychoanalysts can give.

Stopped often – moved to A Writer’s Diary – then back To the Lighthouse.

Screened Fandry for a class – the fourth time this year – felt more disoriented than the last time. Thought of Jabya – thought of my brother – thought of his empty fair & lovely tube that he sometimes squeezed cream out of. Thought of the godforsaken woman on twitter who attacked my Sairat essay. Some Azadi woman. Chee. My ‘review’ was a glowing savarna review I believe and that’s why she didn’t ‘agree’ with it.

My friends told her to shut up. And because she realised she’d spoken too soonly, she apologized.

It may have been fuck-all writing but I now have this to say to her – ‘You are not required to agree with it. You are not even required to read it. It’s not a review, it’s an essay’

And then my head got all fuzzy like it does when I have jumped from one thought to another too quickly. Towards the end of Fandry, I had swallowed the guilt I feel everytime I watch it. Don’t know through what manner of luck, unluck – or through the hard work of parents –  some of us are able to escape fate.

Then my guilt became something else entirely –

For the first time, it became clear to me that I’ll never know if I’m good enough. I’ll never know for real if I’m actually good. There is no language that friends or enemies can use to tell me if I’m good or bad. Maybe it’s because they will never be able to separate it from the knowledge of what they think I deserve or don’t.