For the love of Keret-IV

Aishwarya Rai in Hum Dil De Chuke Sanam is no longer weeping for Salman Khan. Ajay Devgan is playing Salman’s role. The villain- her father, stands arms folded between Ash-Ajay. Someone forces him to muster the decency to leave them alone for final goodbyes and he does. Ash collapses into Ajay’s chest. Then she cries, he cries (although I can’t see his face) and over his strong, broad shoulders, I see her eyelashes, heavy and wet with tears.

***

I am in a Thai film. I am in a hurry to get cake for my mother. Someone drops me off at a market where I am suddenly adopted by the people living there as one of their own. The architecture of the building is funny and scary, like strange buildings in new cities are. The entire building is zigzag, like our parking spaces in malls.

A tall woman with shiny black hair and swan’s neck is my new mother. My new mother gathers me in her arms but we are quickly separated by something. There is chaos, the enemies are coming and just the word is enough to send everyone running. I am everywhere and here at the same time but deeply, miserably aware that my new mother isn’t with me. I can suddenly understand why babies need their mothers so much, why I need mine, what all the deal with mother’s love is about. I pine for her, gathering my heart in my hands and running and looking for her in the chaos. I’ve lost her.

***

My year-old nephew is playing in my arms. We are at a big, bright house by the beach. Everyone is here, my whole family. And even as I am with them, I can’t fight the all too familiar feeling of having/needing to be somewhere else. I curse myself. Why am I such a terrible planner? Why do I make promises I know I cannot keep? There’s a furious wind and I remember with great desolation, my alone and small bike that I’ve parked at college, right in front of the beach (How to move here permanently?)

I tell Amma I have to go. She is mad.

***

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